|
Japanese dolls collection: Vintage and Antique
Japanese traditional
dolls are known by the name 'ningyo' in Japan,
which literally means 'human shape'. Dolls have been
produced since the very early days of Japanese culture and
they played an important roll in Japan, at festivals, as
talisman, or just as a toy.
There are various types of
Japanese dolls,
some representing children, some the imperial court,
samurai warriors
and heroes, Kabuki
and Noh theatre
characters, and also people of the daily life of Japanese
cities. Many have a long tradition and are still made today.
There are exist various types of traditional dolls in Japan.
During centuries a great variety of forms developed, from
dolls simply made out of paper by the children themselves
to valuably kimono dressed and wonderfully molded unique
objects, made by craftsmen and ordered by rich citizens
and noblemen for the girls' and boys' festivals.
Already for the birth of a child dolls, as
Kimekomi and
Ichimatsu,
were given as a present from the relatives.
Kimekomi refers
to a method of making dolls. The ancestors of Kimekomi dolls
are the Kamo ("willow-wood") dolls, small dolls carved of
willow and decorated with cloth scraps. Kimekomi dolls start
with a carved and/or molded base of wood, wood compo, or
(in some modern dolls) plastic foam. A design of different
patterned cloth scraps is planned out, and the base is grooved
so that the edges of the cloth can be hidden in the grooves.
The cloth is glued on and the edges tucked in. The head
and hands (if any) of the doll are usually finished with
gofun; the hair may be part of the molded head or be a separate
wig. These dolls have become a very popular craft.
Ichimatsu are
the child dolls correctly proportioned usually made to hold
in the arms, dress, and pose with their movable hands and
legs.
During the Tokugawa period travelers took
Gosho-Ningyo
with them as a talisman, and Kokeshi dolls as souvenirs
from hot-spring resorts of Tohoku region.
The Gosho dolls
are one of noble descent, and it represent a uniquely Japanese
form. In most examples, clothing is limited to a strict
minimum and is either painted or pasted on. By tradition,
they represent chubby, almost naked little boys with large
heads, round bodies and brilliant white skin. They generally
show an originality and character which places them in a
special category of Japanese dolls.
The Gosho was created as a presentation doll and
was not meant to be a plaything. Although originally the
privilege of the aristocracy, Gosho dolls gradually
became widely popular. In Japan these dolls are considered
to be a classic art form and are appreciated as such.
Japanese traditional
dolls on our site are presented wide array of traditional
techniques, each with distinctive characteristics. You can
see antique
Samurai doll
fully armored and beautifully rendered
Maiko doll
and Geisha Doll
or Kabuki doll
with mask and on dance position, graceful
Hakata clay figurines
and other items of Japanese art.
Today all over the world antique dolls, including Japanese
dolls as well, belong to the most sought after collectors'
object.
Japanese Hakata
figurines are the best known craft items from Fukuoka
Prefecture, which lies in the north of the island of Kyushu.
The origin of this local specialty goes back to around 1586-1608.
In that year the feudal lord of Fukuoka, Nagamasa KURODA,
was having a new castle built. One day he noticed one of
the workmen making dolls from the clay used for the palace's
tile roof. The workmanship was so superb that the ruler
employed the craftsman to make dolls and ornaments for the
castle. Sohichi, the doll maker, passed his secrets down
through his family and the sons were figurine makers for
four generations. As a youth, however, the fifth Sohichi
revealed a weakness for "sake". This, plus lack of patience
for detailed work, made his father reluctant to put the
family's reputation in his hands. The professional secrets
were given to the doll maker's daughter who passed them
on to her son, the sixth Sohichi. This man, too, was a heavy
drinker, but for all of that he was skilled craftsman. Soon
after the revolutionary war in 1858, he died without passing
his trade secrets to his next generation. About eleven years
later, a group of artists pooled their talents to revive
the art of making pottery or fired clay dolls. They developed
a highly finished substitute, which in 1885, was Exhibited
at the national exhibition representing the arts of Hakata.
Originally called the Sohichi-yaki (Sohichi Pottery), it
gradually became known as the Hakata doll after the
place of its birth.
|
|
|
